mercredi 31 octobre 2012

Addiction Spring 2013

Addiction's Spring 2013 collection theme is Girl On Fire, which is inspired by New York's pop culture. Set for release on 11 January in Japan, there will be five nailpolishes and five matching lipglosses. The lipglosses apply sheer. See swatches of the nailpolishes here. Pic below by Maquia.

Pics below by More.

There will also be two eyebrow mascaras, two eyebrow powder duo and a brow brush.

The pic below tweeted by Eclat editor shows a collaboration compact featuring the late Jean-Michel Basquiat's (NY graffiti artist) dinosaur drawing. (If you would like to re-post this information on your blog, please credit this post as I did the research and translated the information from Japanese. )

Edited to add more pics by More.

Libellés : ,

Lierac se réinvente...


Attention, je vous préviens d'office : ces produits que je vais vous présenter aujourd'hui vont à mon humble avis faire un joli buzz et attendez vous à les voir partout en presse dans les prochains jours car ils ont clairement tout pour plaire ! Et pour une fois, il ne va même pas être question d'une toute nouvelle marque débarquant du bout du monde mais d'une marque que l'on croise presque à chaque fois que l'on rentre dans une pharmacie ou une parapharmacie, j'ai nommé Lierac. C'est rigolo car je crois n'avoir utilisé dans ma beauty addict de vie qu'un ou deux produits Lierac mais pourtant, c'est une marque qui m'inspire sérieux et confiance. Le seul petit bémol que j'émettrai à son propos et qu'elle est du genre classico-classique et que même si ces produits sont plutôt jolis (surtout depuis la modernisation des packs l'année dernière), je trouve que tout cela ronronne un chouille. Un jugement que j'ai immédiatement remisé au placard en découvrant la nouvelle ligne Lierac Prescription


Déjà, et parce que contrairement à ce que l'on veut bien dire, le physique compte quand même beaucoup dans la vie, un mot sur ces flacons. Exception faite de la ligne blanche et rose pour les peaux sèches et sensibles qui m'attire autant que la perspective d'une soirée TV devant Chasse & Pêche, le reste est vraiment sympa et surtout sans équivalent en pharmacie (ou alors j'ai loupé un épisode). On y retrouve pas mal d'inspirations de choses que l'on connaît déjà, un mix de Aesop, Académie Scientifique de Beauté... Ça marque en tout clairement une rupture avec les tubes et flacons souvent blancs et tristouille auquel on est habitué en pharma... et cette bouffée de modernité fait du bien par où elle passe ! Les flacons marrons ont clairement un côté vieille fiole d'apothicaire (et non pas vieille folle d'apothicaire !) qui donnent tout de suite l'impression que ce produit va être plus efficace qu'un autre, c'est beau quand même la force de la suggestion !


Tiens d'ailleurs, tant que nous en sommes à causer efficacité, un mot quand même sur les formules de cette ligne Prescription car c'est évidemment là que Lierac place la valeur ajoutée de cette gamme. Ce que la marque nous promet se résume assez simplement : "de fortes concentrations d'actifs issus de la dermatologie ou des biotechnologies les plus avancées". En clair, des formules premium et overdosées en nouvelles molécules tout droit sorties de leurs tubes à essai. Socle commun aux 5 gammes lancées, un complexe breveté sous un nom barbare (SKRL3, que l'on retrouvera peut-être en descendant de R2D2 dans la suite de Star Wars qu'a annoncé hier Walt Disney) et qui associe eau de source marine, prébiotiques - c'est la grande mode ça en ce moment en cosméto - et sucre biotechnologique. Un trio qui promet lui de renforcer les défenses cutanées de la peau, ce qui effectivement est une promesse qui parle à peu près à tout le monde.


Mais c'est surtout tous les actifs spécifiques à chaque ligne qui font ici la différence. Lierac a d'ailleurs bien blindé son dossier en multipliant les études cliniques menée sur plus de 1450 volontaires (ça change des études cliniques réalisées sur 20 personnes en auto-évaluation). "75 tests de tolérance sous contrôle dermatologique, 15 tests d'hypoallergénicité, 8 tests de non comédogénicité, 17 tests instrumentaux cliniques, 32 tests organoleptiques....", cela doit faire un sacré moment que les chercheurs Lierac planchent sur ce sujet top secret. Du coup, et assez logiquement, les prix de ces soins Prescription sont un poil plus cher que les produits Lierac classiques mais franchement, je m'attendais à bien pire comme écart tarifaire. Là, la différence est de l'ordre de 10% environ, ce qui reste très correct. Pour vous donner clairement des ordres de prix, cela va de 10€ à 35€ pour les produits les plus "chers", ce qui reste toujours moins cher que la moindre crème chez Sepho ou Marionnaud.


Même si vous le découvrez sur les (superbes) visuels illustrant ce billet, deux lignes quand même pour vous dire que Prescription compte en tout 5 lignes : peaux sensibles et intolérantes (des formules haute tolérance pour les peaux très réactives), peaux sensibles et couperosées (le fait d'avoir deux lignes spécifiques pour les différents types de peau sensible montre bien je trouve le côté très expert du schmilblick), peaux à imperfections adultes (avec une solution kératolytique qui me fait déjà de l'oeil), taches brunes (avec un seul produit pour le moment mais j'imagine que cela va se développer car le marché de l'anti-tache est en pleine progression selon les derniers chiffres), et enfin peaux sèches et sensibles pour le corps. Bon, j'imagine que tout cela sera complété au fil des années car il manque encore pas mal de choses (peaux sèches, rides...) mais c'est déjà un très bon début. Notons quand même que pour le moment, Lierac s'adresse vraiment à des problèmes cutanés très spécifiques, sûrement pour marquer le côté prescription et presque dermatologique de la gamme.


Bref, vous l'aurez compris, je suis pour ma part plutôt convaincu par cette initiative Lieracienne. A l'heure où la pharmacie doit se battre contre des nouveautés de parfumeries toujours plus dingues pour conserver leurs clientes et en séduire de nouvelles, je trouve que Prescription à des atouts à faire valoir et est du genre projet bien ficelé. On a d'un côté le côté apothicaire des flacons et la réponse à des problèmes cutanés très spécifiques telle qu'on est en droit de l'attendre en officine, mais avec une pointe de glamour et de haute technicité qui n'a rien à envier à d'autres. Hâte maintenant de voir si cela va permettre à la marque de recruter de nouvelles consommatrices, sûrement plus jeunes, ou bien si le projet est trop en rupture avec ce qui ce faisait jusqu'alors ? 

Une question sur laquelle vous avez d'ailleurs peut-être un avis vous aussi ? Qu'est ce que vous inspire cette nouvelle ligne Prescription ? Etes-vous tenté(e) par ce genre de choses ou plutôt hermétique à ce genre de soins très techniques ? Attendiez-vous Lierac sur ce créneau ou êtes-vous surpris(e) par ce virage très dermato de la marque ? Est-ce que d'ailleurs vous utilisez régulièrement ou avez déjà eu des expériences - bonnes ou mauvaises - avec des soins Lierac ? Dites moi tout en commentaires et bon week-end prolongé à celles et ceux qui ont la chance de faire le pont !

Libellés :

lundi 29 octobre 2012

Perfumer Interview Series: Madalina Stoica-Blanchard

There is a new French niche house on the scene, and its name is JUL ET MAD. I was immediately charmed not only by their initial three offerings (Stilettos On Lex, Terrasse a St-Germain, Amour de Palazzo), but with the founders, creative directors and my favorite couple of the moment, Madalina and Julien. After the perfumes had a bit of time to burn a solid impression into my psyche (especially Stilettos On Lex), I had become very excited about the brand and was eager to know more about them. Madalina Stoica-Blanchard  was kind enough to indulge me with this interview. Reviews of each perfume are coming very soon.


The story of JUL ET MAD is really a love story told in three chapters based on geographical locations. Can you please tell us the story? And, why did you feel your story needed to be told through fragrances?


The story of JUL ET MAD is a true love story between Julien and Madalina, which is depicted in the three first Perfumes of our collection: Stilettos on Lex, Terrasse à St Germain and Amour de Palazzo.

To summarize, JUL ET MAD’s story begins with the portrayal of a young woman who lives on Lexington Avenue and enjoys every moment in New York City. The “Stilettos on Lex” chapter of the JUL ET MAD story is the exact description of whom I was at the time, and I like to think that this portrait is no different from all young women living life at its fullest.

At some point in my career I had to go to France and, before I realized what’s happening, I fell in love with a young, very handsome Parisian. It was love at first sight at this famous café terrace in St. Germain-des-Près.  This amazing and fortunate encounter completely changed our lives, as only few weeks later I decided to leave everything behind and move to France. The perfume “Terrasse à St-Germain” evokes exactly what we felt at the time, is the essence itself of our “coup de foudre”.

After my arrival in Paris, to celebrate the beginning of our life as a couple, Julien brought me to Venice … It was one of the most amazing experiences, we enjoyed every moment spent here, and everything seemed like a dream. Every emotion we felt, the magic of the place with its beauty and history, we illustrated in “Amour de Palazzo”, the third chapter of our Perfume Collection.

As for the “destination”, it simply happens that these first three episodes took place in different locations. The real purpose of JUL ET MAD is to describe the most important and memorable moments of our love story, no matter where situated.

And the idea of telling our story through fragrances came very naturally, as the brand JUL ET MAD itself is all about passion and celebration of life. We feel so lucky our two souls succeeded in meeting and recognizing each other, regardless the distance, the culture, the language, and we are amazed to see how our romance gives strength and belief to people around us. Moreover, every time we were asked how we met and after telling our story, the reaction was the same: “This is so beautiful, you should write a book!” So, what better way to tell our story, than by simply replacing the words with fragrant notes?



As creative directors, what was it about Robertet (Grasse) perfumer Dorothée Piot that made you and Julien feel that she was the one to bring your vision to life?

It’s a bit by chance, as it is with love. We didn’t plan on collaborating only with Dorothée, as different perfumers from Robertet were working on the first three JUL ET MAD compositions. They had for general direction only our feelings and our story, but absolute freedom in terms of raw materials and complexity. The task for the perfumers was even more difficult as this was a personal story. It just happens that, when presented with their first propositions, without knowing, the three fragrances chosen were imagined by Dorothée Piot. Afterwards, we worked together for several months in order to perfect them. Her sensibility and talent made the rest.

I noticed that the photographic image on your website for Stilettos On Lex contains a few mysteries of its own… the woman whose long legs and black patent stilettos we gaze at seems to have a tattoo on her ankle- the JUL ET MAD logo. Could this be meant to represent how perfume can imprint itself on us and become part of who we are? What is the idea behind the design of the logo?

About Stilettos On Lex, you are perfectly right! The JUL ET MAD logo tattooed on the ankle, means how personal and what a real part of you a perfume should be. You cannot simply remove it; Julien likes to think that a perfume is the only thing that remains on a woman even when nude. It is the first thing that precedes and introduces you, as well as the last thing that envelopes and protects you.

Our visuals are a very personal interpretation of places and emotions that marked us at a precise moment, the very source of inspiration for our perfumes … the striking beauty of a mysterious woman on Lexington, a café terrace in Paris, or a Murano glass chandelier in a Palazzo in Venice… That’s why the JUL ET MAD symbol or the bottle were introduced discreetly in every visual, as they are a distinctive part of the scene where the perfumes were born.

Regarding the design of our logo, it’s been a long work process with our graphic and design team. They presented us with a series of very personal questions to which Julien and I had to answer separately and together. They came to our house and took pictures of almost everything (paintings, sculptures, books, personal objects, as well as small design details). Few weeks after, they showed us different drawings, and this symbol just stood out, as we instantly recognized ourselves in it (there is a photo of a first draft of it on our website). We love these two shapes that are so different, but so complementary at the same time. Together, they form a new figure, but not through a total fusion and mix, more like an unbreakable bound, managing to keep their own original properties. As with our couple, we didn’t become a new entity; we kept our individual personalities which, combined, just became much stronger and solid.




At the heart of each of the three perfumes in this collection lie three very different vibes, almost as if each one is a distinct color or style of music. With this collection, was it your intention to see that each fragrance could stand on its own?

The idea was, indeed, to make three different compositions, as every perfume represents a different stage in our lives, influenced by different circumstances, different places, different people, and so on. This explains why we wanted in the beginning to work with different perfumers for each and every fragrance. And, we cannot say it often enough, Dorothée Piot showed a fantastic talent and sensibility, composing every perfume so differently, but still managing to keep the “lifeline” that animates the entire concept behind JUL ET MAD.

As anyone interested in perfume knows, there is an ever-increasing influx of new launches each year. Can you please explain what JUL ET MAD’s unique point of view is?

Yes, it is true that more and more new fragrance launches happen every year. It is a chance that people who are fond of fragrances can still find new and rare perfumes. Regarding JUL ET MAD, we developed our collection with a maximum of respect for the traditional French “savoir-faire” in perfumery, trying to transpose it in every details of our offer, which is entirely hand-made. We kept the highest concentration we could in our compositions, each fragrance of the collection being a veritable “Parfum”. We work in tight partnership with French companies specialized in the traditional perfumery and always tried to come back where the perfume should have stayed, a work of art in every aspect…



What are yours and Julien’s favorite raw materials, notes or accords, and why?

There are so many notes and accords I love!!! Living in different countries and cultures, I got attached to so many different raw materials specific to every place. But, if I really have to choose one in particular, I should say the ambergris. During my courses of Fragrance Knowledge at FIT, I fell in love with this magical, intriguing, exquisite, rare raw material… I remember how amazed I was by the fact that, when mixed and combined with other ingredients, this matter of dull grayish color and not extremely pleasant smell can magically alter and enhance the quality of the existing notes, making them greater, deeper and vaster than they can ever be on their own. It’s a little bit like in real life, when a person gets stronger and more confident thanks to the love and support shown by the people they cherish.

As for Julien? He told me the story of one of his numerous travels in Asia, where an Indian old man offered him as a welcome gift a beautifully hand-carved wooden box filled with musk-scented beads. He is since very attached to the smell of musk, which he identifies as specific to this mystical part of the world he so cherishes.




Have there been any particular perfumers, houses or perfumery styles that have influenced your aesthetic as a creator?

Inspiration is all around us! The industry of fragrance has such resources!! We are deeply attached to the French Traditional Perfumery era, where every perfume was presented as a unique, rare work of art… Whatever the inspiration may be, our goal was to create a Perfume Collection that will simply last over the years, elegant and extemporal, classic and modern at a time, as Love. Love and its beauty is not a question of fashion or trend, it’s simply intemporal.

I must admit that I’m enamored with the bottle design, the Nomad travel atomizers and even the outer packaging. Can you explain the concept behind the designs?

Thank you, Carrie! From the beginning, the idea was to develop a design based on the image of our love, preserving the purity of every matter. To reflect the complexity of the couple, we played with different aspects and textures. The flacon shows all this perfectly. The front, transparent, is delicately engraved with the brand and perfume names in pure platinum letters, in order to keep a feeling of purity and quiet elegance. The back, in perfect symmetry with the front, is entirely frosted, with the exception of the logo symbol, thus responding to its other half. The couple’s entire duality is expressed in this perfume bottle, the logo recomposing itself through the transparency of the glass, as we look at the front of bottle.

A heavy cap in zamak designed by Julien crowns the bottle, its shape reinterpreting the logo symbol.  It starts as a circle at the base, and gradually “blooms” to become a square at the top.
We also developed the Nomad Spray for every flacon specifically. They come already filled, as we think a perfume should naturally follow you everywhere, anytime. As an echo to the glass flacon decoration, the concept of duality is also found here, evoked by the textures and the effects on the bright and matte silver metal.

And last, but not least, we wanted our outer packaging to represent not only a simple perfume box, but the “home” of our unconditioned love, the chest of our passion, revealing the beauty of our perfumes, with nothing to hide. We developed this elegant leather case in light grey color and silver, with an interior draped in white velvet. The perfume hold was designed to be removable, allowing the reuse of this precious box for personal treasures, if desired.



With Julien’s design background and your knowledge of and passion for perfume, it seems natural to me that your first collection would feel as concise and polished as it does. What can we expect from JUL ET MAD moving forward? Do you already have new fragrances in the works?

Well, yes indeed! The JUL ET MAD story just began and we have so many moments we would like to share! Since we’ve met, we already lived so many fantastic things, discovering new amazing places, meeting such beautiful people! Although I cannot get into details at this stage, I can tell that the future will reserve many nice surprises, as our collection is just at its very beginning!

I know that you spent your childhood in Romania, moved to New York at a young age and eventually settled in Paris. What is it about France (besides Julien!) that managed to snatch your heart for good?

I don’t know if there is an answer for this… There are so many things I love in France! The history, the people, the culture, the language… If I really think about it, maybe I found here a similarity to my birth country - which I greatly cherish - as Romanian history and culture are very close and historically related to the French… Did you know that Bucharest was called “Little Paris” between the two WW?  Yes, this could be one of the reasons if I really think about it. It could also be the beauty of this country, and this not only from an architectural point of view… And the food, oh yes, the land of fine cuisine which I so very much enjoy, especially when accompanied by a glass of a perfect wine… And the perfumes, of course!! Being able to live my passion for the industry fully, being able to learn and work at the “source” of the perfumery, and finally being able to create and to see my dream come true… 


And I think it is nearly impossible not to get caught up in Madalina's sweeping passions and her intellectual and creative musings. Behind JUL ET MAD is a story that you must sniff to believe.


[JUL ET MAD perfumes can be found at MiN New York and Aedes de Venustas. They are well worth the attention I'm lavishing upon them-- trust me, you'll want to try these]



Libellés : ,

Jill Stuart Spring 2013

Jill Stuart will release its Spring 2013 collection "Dreamy Layered Glow" on 11 January in Japan. It looks like an extensive collection with five eyeshadow quads, several blushes, nail polishes etc. The second part of the collection will be released on 15 February but there is no info yet on which products are slated for February. Pics below from Sweet.

Pic below by the Frau editor.

Pic below by More.

There will be a new Layer Blush Compact, which has a ultra light and soft souffle-like texture in primarily pink tones. The blush surface features a different embossed pattern from the Mix Blush Compact. There are also new variations of the Mix Blush Compact.

Pic below by Sweet.

The nail polish range will be revamped for the second time. The new line-up features 20 shades with a new crystal-embellished packaging.

New eyebrow powders in a sliding compact.

Libellés : ,

dimanche 28 octobre 2012

By Kilian: In the Garden of Good and Evil Collection

In the world of fragrance appreciation, I suppose I am somewhat of a purist. That means that, while of course, my eye can be caught by the aesthetic genius of really neat packaging, I first go straight for the juice, like a pig snuffling for truffles, I seek out what the bottle contains-- good, evil or baffling.

In the case of Kilian Hennessy's most recent collection (due to launch on November 1st), I was sent plain vials containing the three fragrances, and quickly went to town on them. I transferred a couple of their contents into atomizers, and proceeded to fall into various states of obsessive love and/or affinity for them. It's only after I've made notes on my initial impressions that I allow myself to pick through the press kit for images and stories, and I found that this collection has it all-- brains, heart and beauty.


Starting with the packaging- I think there's hardly a more luxurious combination than white lacquer and gold details, like the beautiful cigarette case style box with the gold snake that adorns the top. It's wildly attractive, and has the potential to make gift-giving the frenzied, slack-jawed event it should be.


The bottle itself is exquisite, and like many of Kilian's other creations, straddles the line between simplicity and excess with aplomb.


The three perfumes in this collection are In the City of Sin, Forbidden Games (both by Calice Becker), and Good Girl Gone Bad (by Alberto Morillas). Aficionados will recognize Becker's masterful, multi-layered amalgams of woods kissed with gourmand notes. In the City of Sin is my favorite out of the three. It's substantial, warm, and dangerously seductive with sillage that confounds and enchants without overpowering.The tart, rich, stewed fruits play against the medium-cool Turkish rose, and the spices, resins and woods are not so insistent that the more delicate aspects of the rose and the tart fruits are upstaged.  It plays some really good tricks on the skin; like initially showing its density and then spreading out like ball bearings scattering across the floor. If you like, you can even pick out its constituents. In the City of Sin's true charm lies in its diffusiveness, therefore it is best enjoyed sprayed from an atomizer. Fans of Serge Lutens Bois series will love this perfume.
[notes: bergamot, pink pepper, cardamom, apricot, caramelized plums, Turkish rose, Indonesian incense, atlas and Virginia cedars, Indonesian patchouli]

Forbidden Games, also by Becker, is one of the "white whales" of modern perfumery-- a sophisticated fruity-floral. It's more complex than it seems at first blush, so it requires a little time for it to unfold and divulge its secrets. This perfume's main focus is fruit- but not the cooked-down fruits of In the City of Sin-- these have fresh facets that really highlight the tempting, gourmand qualities of the fruit that proved to be the undoing of Adam and Eve. The apple, peach and pear elements feel innocent at the outset, but not juvenile. A very pretty wave of florals emerges, comprised of jasmine, rose and geranium which were used to great effect to push forward the blend's vitality. The drydown brings such a heartbreakingly sensual harmony of vanilla, honey, a little spice and incense, and it sticks around on the skin in this state. Gourmand-lovers will be left in a trance.
[notes: apple, peach, plum, Laotian cinnamon bark, Bulgarian rose orpur, geranium Bourbon, midnight jasmine, Madagascar vanilla, Laotian honey, opoponax]  

Good Girl Gone Bad (Alberto Morillas) takes very good care of those who prefer florals over all else. This fragrance brings with it an arresting combination of jasmine, tuberose and osmanthus, among others. The effect is impossibly chic and somewhat reserved. GGGB is not a man-eating, oversized neon floral, nor is it a wallflower. It's a perfume that behaves itself in public, keeps its mouth shut about what goes on after hours, and never, ever apologizes for itself. It's nuanced and highly wearable.
[notes: jasmine sambac, osmanthus, rose de mai, Indian tuberose, Egyptian narcissus, Virginia cedar, amber]

All in all, I think this collection is a very strong showing for By Kilian, and exactly the kind of thing I hope for during Autumn launch season. The bible may have laid out a cautionary tale for us all, warning against doing what comes naturally. This collection is Kilian's counter-spell against that dogma (the silliest of admonitions), and it also serves as a mantra for some of us Earth-bound pleasure-seekers.

[By Kilian In the Garden of Good and Evil collection  will be available starting November 1st. 1.7 oz bottles are $245 each at select retail and e-tail shops. Samples provided for my consideration]

Libellés :

Suqqu Tsukiakari and Mizumomo swatches

Back in September, I picked up Suqqu Blend Color Eyeshadow EX07 Tsukiakari, Gradation Cheeks EX02 Mizumomo and Chiffon Feel Loose Powder from the autumn collection. All three are limited edition and purchased at Selfriges in London.

The three Blend Color Eyeshadow palettes released for autumn feature three powder eyeshadows and a cream eyeshadow that can be used as eyeliner or creating a gradation effect. The eyeshadow powder particles are coated with silicone for an extra smooth finish.

The top left shade is the Light Color (Pearly) for an illuminating effect, top right is the Arrange Color (Pearly) for adding dimension, bottom left is the Deep Color (Creamy) and bottom right is the Pearl Color (Matte). The matte shade contains the most finely-milled powders in the quad, with a soft focus nylon-12 powder that diminishes the appearance of fine lines.

Tsukiakari features a smoky navy blue cream shade, which has some shimmer particles that can be seen in the swatches below but these aren't visible when applied on the lids. The powder shades are the usual white, pearl beige and taupe brown combination that Suqqu is extremely fond of, with infinite subtle variations across the seasonal collections.

My current collection of Suqqu quads: (from left to right): #11 Himesango (Spring 2012), EX07 Tsukiakari and EX02 Fuyubara (Holiday 2010).

Swatches on bare skin without any primer.

There are some tonal differences between Himesango and Tsukiakari but these are pretty subtle. The shades in Tsukiakari have better payoff than Fuyubara. The navy cream shade applies quite smoothly but it does require some layering. It doesn't set to a budgeproof finish though, as some product came off on my eyelash curler, necessitating a touch-up. Nevertheless, it actually lasted quite well over eight hours of wear without transferring.

I'm usually not a fan of cream shades in a palette, but Suqqu has done a pretty decent job with this one. The navy cream helps to add definition. Otherwise, the powder shades look rather lifeless and pedestrian on their own. It's a fail-safe combination suitable for everyday wear.


While I can see myself getting quite a lot of use out of Tsukiakari, I'll probably skip the upcoming holiday sets. The paler shades always look so pretty in the pan but on my skin, they tend to get washed out.


Below is the ingredients list.

Of the two blush duos in the autumn collection, I selected Mizumomo as it showed up much better on my skin than EX01 Mizudaidai, a beige/peach combination.

The two shades glisten softly when under a bright spotlight but on the skin, the finish does not look shimmery or frosty at all.

The pink shade gives the cheeks a lovely tint of color while the pinkish white shade can be layered on top to sheer it down with a subtle glowy effect.

Compared with Nuancing Cheeks EX03 Akanemizu (from the Spring 2012 collection), Akanemizu is the more versatile of the two as the pinkish white shade in Mizumomo doesn't really do much for me.

As usual, the exquisite quality of the brush with its sleek lacquered handle puts other luxury brands like Chanel truly to shame.

The brush in Mizumomo has a rounded shape, which is different from the brush included in Akanemizu. Both work well in depositing and blending the colours.




Below is the ingredients list.

The Chiffon Feel Loose Powder is a pale pink powder that is supposed to help brighten the skin while concealing pores and improving the skin's texture. This felt very silky and finely milled when I tested it at the counter, but I haven't started using it yet. The cotton puff is dreamily plush and soft. The amount of product is also generous at 19g.


Libellés : , , , , ,