Best Fragrances of 2011

Below you'll find my 10 favorite new fragrances of 2011, in no particular order. This past year held several surprises in the fragrant universe, as well as a few personal honors for me. I was asked to join The Fragrance Foundation's Committee for Indie Fragrances, I was interviewed by Allure magazine for print and online (along with other perfume blogger pals), forged meaningful friendships with kindred spirits, and now I'm ending the year by joining a new, small collaborative blogging group consisting of myself and three other bloggers whom I hold in very high esteem (from Persolaise, Olfactoria's Travels and Fragrant Moments). We are planning on some fun group blogs for 2012, so stay tuned! Today, we are presenting our Best of 2011 lists together, and you will find links to their blogs at the bottom of this post. Year-end "best of" lists are without doubt my favorite to do, and so, without further ado, please read on to discover my creme de la creme fragrances!


Oscar de la Renta Esprit d'Oscar
notes: lemon, bergamot, citron, jasmine, orange flower, tuberose, heliotrope, vetiver, tonka bean, musk

I was enchanted with Esprit d'Oscar from the start, in a way that I never was with the original Oscar. The sparkling optimism combined with the sensuality of this flanker led me to wear it quite a bit over the past year, and I foresee my future fully stocked with it. The similarities between it and Guerlain L'Heure Bleue only urge me to love it even more.

Aftelier Oud Luban
notes: elemi, orange terpenes, blood orange, frankincense CO2, oud, opoponax, choya ral, benzoin, aged patchouli

I must admit that I had a very hard time choosing my favorite of Mandy Aftel's three new releases in 2011, because I love them all. It was Oud Luban solid perfume, however, that spoke to me in my own language. It combines two of my favorite scent elements- oud and incense, it lasts for several hours on the skin and leaves a delicious trail of smokiness everywhere you go.

Amouage Library Collection Opus V
notes: orris absolute, rum, orris concrete, rose, jasmine, agarwood, civet, dry wood accord

Opus V was somewhat of a revelation for me. Never in my life have I experienced a fragrance as overtly animalic as Opus V, and yet it retains a certain refinement at the same time. It's powerful and sexual without being the least bit vulgar. This perfume is responsible for getting me hooked on Amouage. I think the firm is thriving under the creative direction of Christopher Chong, and I look forward to future launches.

Prada Candy
notes: caramel, musks, overdose of benzoin

Prada Candy is one of the surprises of the year that I alluded to. The name and the graphics that go along with the fragrance are wildly misleading. Candy has sweetness, that much is true, but it's an extremely cozy yet streamlined scent. There is an addictive boozy effervescence about it that keeps me coming back for more.

Aroma M Geisha Amber Rouge
notes: Moroccan amber, deep wood resins, cinnamon, clove, star anise

Perfumer Maria McElroy triumphed this year with her first launch in five years, Geisha Amber Rouge. If you love honey with your amber, this intense gem of a fragrance is mandatory. The star anise keeps the blend from being too warm, and it retains an aromatic richness throughout wear, which is actually close to 24 hours. I've not been able to stop yapping about Geisha Amber Rouge since its release, and I don't see an end to that anytime soon. Sorry.

Etat Libre d'Orange Archives 69
notes: mandarin, pink pepper, pimiento leaf, orchid, prune, incense, camphor, benzoin, patchouli, musk

I love ELdO. I don't love every single one of their fragrances, but I love them as a firm, and occasionally one of their releases will knock my socks off. Archives 69 made me giggle the first time I wore it, and in subsequent wearings, the joke wore off and I was left with a very solid, imaginative blend that I wore all summer long. In a market flooded with pink pepper and patchouli, Archives 69 stands out as a display of strength for this house.

Mona di Orio Les Nombres d'Or Vanille
notes: Brazilian orange, Indonesian clove, petitgrain, rum extract, Bourbon vetiver, ylang ylang, Indian sandalwood, gaiac wood, vanilla absolute from Madagascar, amber, tonka bean

2011 saw the life of brilliant perfumer Mona di Orio cut short, and many (including myself) would say in the absolute prime of her creativity. The introduction of Les Nombres d'Or collection indeed heralded the golden age for Mona, and the blogosphere exploded with praise for her work from all across the globe. Vanille is my favorite release from this collection, and it reminds me somewhat of Guerlain Spiriteuse Double Vanille, but more powerful, spicier and with stunning longevity. Longevity is a blessing with perfumes like Les Nombres d'Or Vanille because it's a ride that you never want to end.

Opus Oils Les Bohemes Dapper
notes: violet absolute, orris root, blond tobacco, sandalwood, aged dark patchouli

I am a notorious fangirl of select big houses like Guerlain, but in the end, it's the independent perfumers who torture me the most at year's end. As with Mandy Aftel's fragrances, I had a very hard time choosing just one of Kedra Hart's Les Bohemes perfumes as my favorite. In my heart, though, I always knew it had to be Dapper, a berry-violet and leather concoction. I've never smelled anything like it before, and its charm and uniqueness kept it in high rotation since the very first time I wore it.

Guerlain Shalimar Parfum Initial
notes: bergamot, orange, green notes, fruity notes, rose jasmine, iris, patchouli, vetiver, vanilla, tonka bean and white musk

As much as I love Guerlain, I've never been too much of a fan of Shalimar, but I was still looking forward to Parfum Initial. My inkling that I would love it turned out to be correct. The gourmand facets of lemon curd, vanilla and puff pastry open the fragrance in a very feminine way, but the undercurrent of patchouli and vetiver allow a masculine edge to emerge. This irresistible allure is what makes this flanker a real success in my eyes.

Le Labo Santal 33
notes: Australian sandalwood, papyrus, cedarwood, cardamom, iris, violet, ambrox, leather accord

Santal 33 was another surprise for me this year. I was not expecting it to be so razor sharp and refreshing, but that's exactly why it's a perfect summer fragrance. Le Labo can always be counted on to alter perceptions and push boundaries, and Santal 33 has become one of my favorites of theirs for its audacity alone. Bold, camphoraceous and full of heart, it's not a fragrance you'll soon forget.

Please visit these fabulous blogs for more Best of 2011 posts:
Persolaise
Fragrant Moments
Olfactoria's Travels

I'd like to wish all of you a Happy New Year, and my hope is that 2012 will be a prosperous and love-filled year for all!

The Worthy Successor: Oscar de la Renta Esprit d'Oscar

Once every few years, I'll smell a magazine scent strip and know right away that I needn't sample, just proceed directly to full-bottle purchase. The last time I did that was a couple of years ago with Estee Lauder Sensuous (which remains a favorite of mine to this day). This time, it was Oscar de la Renta Esprit d'Oscar.

I happen to love the original 1977 Oscar-- as a home fragrance. I never wanted to wear it on my skin, but I have a beloved candle of it that I use not only to completely obliterate any offending odors, but it relaxes me with its intense powdery floral qualities. Esprit d'Oscar (created by Frank Voelkl) manages to have not only become something I joyfully want to wear on my person day and night, but somehow maintains a delicate balance between honoring the original fragrance and forging its own path. People who love Oscar will  surely appreciate Esprit d'Oscar, and will also win a lot of new fans who were not completely taken with Oscar.

It starts out with a citrus-aldehyde sharpness with jasmine and tuberose following closely on its heels. Then, ah, sweet, sweet heliotrope. Heliotrope can be too much for some, heck, it can even be too much for me! When it is done well, it's enchanting in its powderiness and ethereal nature, and I have not smelled it done this well in some time. The dry-down offers up the expected: vetiver, tonka and musk. That little sweetness at the outset, then at the heart, is again played up in the dry-down, it is utterly sumptuous and lasts practically forever. This is no syrupy, sticky, cloying mess, this is a well-orchestrated journey with tuberose driving the train, and I believe it has served to elevate the original concept of the fragrance to new heights and farther distances.

My only gripe (and it is a minor one as far as I'm concerned) is the packaging. It leaves me rather cold, and I don't think it does much justice to the scent it contains. The bottle is too ornate at the cap (sort of a cup-like plastic petal monstrosity), although I guess I can appreciate the odd shape of the base. The packaging for the original Oscar is, frankly, even worse.

Esprit d'Oscar is bound to excite a large number of scent lovers with varying tastes; it is sophisticated and soft enough for work, sensual enough for date night, light-hearted enough for casual wear, is season-less, and (here's the best part) complex enough to capture the heart of even the most jaded perfumista. This may very well be the most successful flanker in a long time in terms of the quality of the fragrance, and I hope many, many others will agree with me. Esprit d'Oscar is a legend in the making.

[bottle was bought by me for my personal use, $78 for 50ml EDP, available at many retailers, including online at oscardelarenta.com]